Print Page | Close Window

elo "telephone line"

Printed From: Top 40 Music on CD
Category: Top 40 Music On Compact Disc
Forum Name: Chat Board
Forum Description: Chat away but please observe the chat board rules
URL: https://top40musiconcd.com/forum/forum_posts.asp?TID=471
Printed Date: 13 May 2025 at 4:27am
Software Version: Web Wiz Forums 12.07 - https://www.webwizforums.com


Topic: elo "telephone line"
Posted By: edtop40
Subject: elo "telephone line"
Date Posted: 25 October 2005 at 7:09pm
anyone know if the 45 version is avaialble on cd.........allmusic states that a cd titled "a year in your life 1977" contains a 4:03 version.........i'm hoping this cd contains the 3:57 45 version..........anybody know????????

-------------
edtop40



Replies:
Posted By: Brian W.
Date Posted: 25 October 2005 at 9:45pm
I was hoping that, too, but Pat's database, before it went down, listed it as the full-length 4:30 (or thereabouts) LP Version.


Posted By: sriv94
Date Posted: 27 October 2005 at 8:14am
AllMusic has a few mistakes like that. The Rock On 1981 CD's jacket states that LRB's "The Night Owls" runs 3:45 (the Excelsior version), and AllMusic took that as gospel (and of course, was wrong). The entry was corrected for the Madacy 1996 version.

So there are a number of occasions where they'll use what's on the CD jacket and be wrong (but not always).

Turning this back to "Telephone Line," the 45 removes the sound effects at the top and fades a bit earlier than the LP--is that correct, or is there another edit or two involved?

-------------
Doug
---------------
All of the good signatures have been taken.


Posted By: Paul Esch
Date Posted: 29 October 2005 at 1:39pm
No, that's correct. The only sound effect left at the beginning is the
last little synthesizer cascade before the first notes of the song.


Posted By: sriv94
Date Posted: 29 October 2005 at 2:30pm
Originally posted by Paul Esch Paul Esch wrote:

No, that's correct. The only sound effect left at the beginning is the
last little synthesizer cascade before the first notes of the song.


Great. And the running time is (3:57), yes? (Just making sure run time matches with printed label time.)

-------------
Doug
---------------
All of the good signatures have been taken.


Posted By: Paul Esch
Date Posted: 29 October 2005 at 3:55pm
Yes, that's the correct time. And, by the way, if you want to get the
45 version of "Evil Woman," get the version off of Rhino's Like
Omigod! The 80's Pop Culture Box
and edit out the line "I came
a-runnin' every time you cried" in the last verse, and voila!


Posted By: Moderator
Date Posted: 29 October 2005 at 6:28pm
??????Evil Woman was from 1976 and there are no ELO songs on the Omigod! The 80's Pop Culture Box.

-------------
Top 40 Music On Compact Disc Moderator


Posted By: sriv94
Date Posted: 29 October 2005 at 6:37pm
Originally posted by Moderator Moderator wrote:

??????Evil Woman was from 1976 and there are no ELO songs on the Omigod! The 80's Pop Culture Box.


I think Paul meant the Have A Nice Decade 1970s box, which does have an edit of "Evil Woman" (although as he said, it's not the 45 because they made one editing error).

-------------
Doug
---------------
All of the good signatures have been taken.


Posted By: Paul Esch
Date Posted: 30 October 2005 at 6:21am
Yes, that's what I meant. Sorry.


Posted By: jimct
Date Posted: 15 April 2008 at 3:43pm
I have just timed my commercial 45, and, contrary to info appearing earlier in this thread, my 45 has a listed time of (3:57), but an actual time of (4:00). My 45, purchased in 1977, has green vinyl, and features deadwax of "UAST-17907-E".


Posted By: Bill Cahill
Date Posted: 16 April 2008 at 4:45am
If I recall the version of "Evil Woman" (and all issues of the alleged single edit on cd) are an incorrect edit. The database states, "neither the LP or 45 version" for the "Have a Nice Day" box. If you start a thread on "Evil Woman" I'm sure that somebody will recall the difference, I forget what it is.


Posted By: aaronk
Date Posted: 08 October 2010 at 1:27pm
Originally posted by sriv94 sriv94 wrote:

Turning this back to "Telephone Line," the 45 removes the sound effects at the top and fades a bit earlier than the LP--is that correct, or is there another edit or two involved?

Actually, this is not quite right. I just verified that it has an edit near the end, rather than fading early.


Posted By: KentT
Date Posted: 08 October 2010 at 5:14pm
The first DTMF touchtones are edited on the single, it has an edit on the last verse and it's faded early. My Green vinyl 45 is timed out at 4:00 on United Artists and is excellent Stereo.

-------------
I turn up the good and turn down the bad!


Posted By: aaronk
Date Posted: 08 October 2010 at 6:46pm
Originally posted by KentT KentT wrote:

The first DTMF touchtones
are edited on the single, it has an edit on the
last verse and it's faded early. My Green
vinyl 45 is timed out at 4:00 on United Artists
and is excellent Stereo.

Hmmm, that's not what I'm hearing on the
single dub I have. The intro starts as others
have described above; however I did not
detect an edit on the last verse. Also, the
fade of the single is the same audio as the
fade of the LP. If you listen to the last chorus
on both, pay attention to the strings. That is a
giveaway that it's an edit and not an early
fade.


Posted By: KentT
Date Posted: 22 October 2010 at 7:00pm
Dug out my Green vinyl 45 and my A New World Record LP on United Artists. I checked the phasing on my system and found an anomaly. Fixed it and the LP and 45 fade exact. So we have the DTMF touch tones and an brief edit in the last verse as the official differences here. Both pressings are first runs purchased new in 1977.

-------------
I turn up the good and turn down the bad!


Posted By: The Hits Man
Date Posted: 05 November 2010 at 9:59pm
Telephone Line: Unless you get a vinyl dub on CD,
it does not exist on CD. Here's the explanation from
Kevin Gray, thee guy who cut the album and single in
1977.

http://www.stevehoffman.tv/forums/showthread.php?
t=19248&highlight=telephone+line

Quote Hi Gang,

Steve and I were returning from lunch today and “Living
Thing” by ELO
started playing on my car radio. I said to Steve, “Now
that was a crazy
mastering session! Would you believe we did a vocal
overdub before we cut
it?” After I told Steve the story he suggested I write it
up for the forum,
so here goes.

On a Friday afternoon Dino Lapis from UA Records called
Artisan Sound, where
I worked at the time, and said that ELO needed to master
their new album
(New World Record) but needed to do a vocal overdub
first. Artisan Sound
had just finished its second mastering room and was in
the process of
building a mix-down room. But it wasn’t finished yet.
Bob MacLeod, owner of Artisan, suggested doing the
overdub to two track and
splicing just the overdubbed sections back into the
original master. Jeff
Lynne actually preferred this idea to re-mixing, as he
was quite happy with
his original mix overall. So on Saturady morning Jeff
Lynne came into
Artisan and sang the vocals for the lines in "Livin'
Thing" “I’m takin’ a dive” and “I’m
takin’, I’m takin’ ” and Bob MacLeod recorded the “micro”
session.

This is how it was done:

Jeff Lynne listened to his original mix with headphones.
The mix was played back through 2 line inputs,panned hard
left and right,on
a portable Electrodyne mixer and a Neumann U-87 mic was
plugged into a mic
input panned to center. The output of the mixer fed a
second Studer A-80
two-track recorder. Jeff's voice along with original mix
were fed to the
new tape. When finished, just the sections with the added
vocal were spliced
back into the original mix.

Clever eh? It was a little more difficult
than it sounds. Also, getting the level of Jeff’s voice
right in the mix
took a few trial passes, but if I recall correctly, I
think he did the
actual take of each line in one pass. ...Two or three at
most.
Bob and I both worked on the mastering. I cut all the
final lacquers, and
there were lots! ...Maybe 16 sets for the US and the
world.

One other
tidbit... The telephone effect on “Telephone Line” was
actually done by me
in mastering. It is NOT on the master tape that way!

Jeff for some reason didn’t think about it ‘til
mastering. He asked if I could do a "telephone effect".

We took a ”ton” of bass out and put a “ton” of midrange
in one Sontec EQ (to
give the exaggerated telephone feel), then set a second
Sontec up with the
EQ for the rest of the song. Then I did a long, slow
cross-fade between the
2 Eqs in real time as I cut each lacquer. ...a little
tricky. I still
remember having sweaty palms every time I cut an acetate
on that side. We made a tape copy and everything of a
reissue nature has been cut from that dub.

This
is why so many reissues get cut from tape copies. (Even
some first
releases!) BUT not from Steve and me!

Best to all,

Kev


Living Thing: As far as I know, the actual 45 edit
does not appear on CD. I made a nice needledrop of the
45.

-------------


Posted By: Yah Shure
Date Posted: 05 November 2010 at 11:18pm
Originally posted by The Hits Man The Hits Man wrote:


Kevin Gray said: "I still remember having sweaty palms every time I cut an acetate on that side. We made a tape copy and everything of a reissue nature has been cut from that dub."


Grant, thanks for re-posting Kevin's notes. Very interesting! I still have a copy of that http://i257.photobucket.com/albums/hh240/YahShure/ELO-ANewWorldRecordacetateside1.jpg - Artisan acetate and will give it a listen.


Posted By: Brian W.
Date Posted: 06 November 2010 at 10:30am
Very interesting! Thanks for posting, this, Grant. So if I'm understanding correctly, there is a tape for the single version, but it's actually a disc dub of the acetate?


Posted By: aaronk
Date Posted: 06 November 2010 at 12:48pm
Originally posted by Brian W. Brian W. wrote:

Very interesting! Thanks for posting, this, Grant. So if I'm understanding correctly, there is a tape for the single version, but it's actually a disc dub of the acetate?

I don't think that's exactly what he was saying, and I think Grant is also mistaken. The single is an edit of the LP version; however, the LP version on all sources was "mastered" as it was cut, with the telephone effect on the opening vocals.

"We made a tape copy and everything of a
reissue nature has been cut from that dub."


I took this to mean that they also made a tape copy in the same way they made the lacquers, which is what is used on all reissues of the LP/CD copies. That means original pressings of the LP will vary slightly on the intro, since the synchronizing of the two sources was done in real time while cutting each lacquer.

I've never heard any version of "Telephone Line" that does not have the telephone effect on the opening vocal, which is apparently how it exists on the master tape.


Posted By: Yah Shure
Date Posted: 06 November 2010 at 2:13pm
Aaron, I also came away with the same interpretation that you did, in that the tape had been made in the same manner as the lacquers and acetates.


Posted By: The Hits Man
Date Posted: 07 November 2010 at 7:41am
Originally posted by aaronk aaronk wrote:

   
I don't think that's exactly what he was saying, and I
think Grant is also mistaken.


Well, what I posted was nothing I wrote. That quote was
all Kevin Gray, they guy who cut the records.

-------------


Posted By: aaronk
Date Posted: 07 November 2010 at 9:45am
Originally posted by The Hits Man The Hits Man wrote:

Telephone Line: Unless you get a vinyl dub on CD, it does not exist on CD.

I do appreciate you posting the quote from Kevin; I just wanted to clarify that what he was saying did not mean you couldn't create the single from the LP.


Posted By: KentT
Date Posted: 07 November 2010 at 7:41pm
Yes, you could edit the 45 version from the LP. No mix differences on this one!

-------------
I turn up the good and turn down the bad!


Posted By: sriv94
Date Posted: 07 July 2016 at 4:46pm
Bumping for my own benefit. And for yours too. :)

-------------
Doug
---------------
All of the good signatures have been taken.


Posted By: VWestlife
Date Posted: 01 January 2022 at 4:16pm
In addition to removing the mock Touch-Tones at the beginning and the repeat of the last chorus, the 45 of "Telephone Line" does have a slight early fade, as it fades out on "I'm living in twi..." instead of completing the phrase.



Print Page | Close Window

Forum Software by Web Wiz Forums® version 12.07 - https://www.webwizforums.com
Copyright ©2001-2024 Web Wiz Ltd. - https://www.webwiz.net