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wilbert harrison kansas city |
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KentT
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Joined: 25 May 2008 Location: United States Status: Offline Points: 0 |
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Posted: 25 April 2012 at 7:36am |
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To my ear, the original Fury 45 sounds better than the CD issues from declicked disc dubs. It has better low end and sounds less muddied. Judging from some other Fire and Fury 45 singles, if there is a Vee-Jay Oldies 45 reissue, that would use original West Coast stampers and have the original sound and quieter surfaces. As does my Oldies 45 reissue of "Fannie Mae" by Buster Brown. P.S. The Oldies 45 discography lists this tune. I will see if I can find a copy and compare deadwax with my beat Fury 45.
Edited by KentT |
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I turn up the good and turn down the bad!
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TomDiehl1
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Joined: 13 January 2006 Location: United States Status: Offline Points: 1 |
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Posted: 26 April 2012 at 5:58am |
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I do have a promotional copy of the Oldies 45 issue of the song in my storage locker (which I bought because I had never seen a promotional 45 on Oldies 45) and I will see if I can locate it in my storage locker the next time I am there this weekend.
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Live in stereo.
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Brian W.
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Joined: 13 October 2004 Location: United States Status: Offline Points: 41 |
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Posted: 27 April 2012 at 9:39pm |
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Does anyone own the Ripete CD "Coolin' Out/24 Carolina Classics Vol. 2"? How does Kansas City sound on that?
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KentT
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Posted: 06 May 2012 at 7:52pm |
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My Monarch pressed Oldies 45 reissue and my Fury 45 are from the same stampers. And the Oldies 45 copy is the better sounding, it has quieter surfaces. Less noisy. Best CD I have heard has been the Capricorn "The Fire and Fury Records Story" mastered by Lee Herschberg. Suspect that the Little Walter DeVenne transfers were used.
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I turn up the good and turn down the bad!
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aaronk
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Joined: 16 January 2005 Location: United States Status: Offline Points: 273 |
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Posted: 06 May 2012 at 8:28pm |
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A handful of us exchanged some private messages about the Ripete CD, and Brian discovered some interesting information. The tracks on this disc were licensed from Red Dog Express, which was owned by Marshall Sehorn. It turns out that Sehorn used to be the promotion man for the Fury record label. I can confirm that "Kansas City" is from a tape source on the Ripete CD and sounds far better than any other CDs I've heard it on.
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Brian W.
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Posted: 06 May 2012 at 10:49pm |
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Sehorn was even more than the promotion man for Fury. He actually discovered Wilbert Harrison and apparently produced the recording session for "Kansas City":
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Gary Mack
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Posted: 07 May 2012 at 9:35am |
It has to be a tape OF a disc dub, for had a tape existed when the single came out in 1959, the Fury 45 would have used it. But the same pops and clicks on the original single appear on every subsequent release, though some have been cleaned up better than othrs. GM |
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aaronk
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Posted: 07 May 2012 at 10:19am |
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It must have existed on tape somewhere when it was originally recorded, right? By 1959, I doubt most artists were recording directly to a lathe. I don't hear any pops and clicks or turntable rumble on this recording, and I also don't hear anything that sounds like groove distortion. If the Ripete CD is a disc dub, they've certainly fooled me, and I'm usually very good at spotting those things.
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