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"All by Myself" - Eric Carmen

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KentT View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote KentT Quote  Post ReplyReply Direct Link To This Post Posted: 16 February 2018 at 8:47am
A note: My Arista Flashback 45 of "All By Myself" and
"Never Gonna Fall In Love Again" used the same original
stampers as the worn original 45 RPM singles it replaced.

This example dates to the early 1980's. So, those
original singles master reels likely never got touched
again on many Bell, Amy, Mala, and Arista reissues, I've
seen very few of these reissues which didn't have period
correct stampers used when these singles were originally
pressed. So, hopefully if needed, the job reels (singles
masters spliced together from a release on a 10 1/2"
metal reel are still extant and in good condition) which
is how most major and some minor labels did things.
I turn up the good and turn down the bad!
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eriejwg View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote eriejwg Quote  Post ReplyReply Direct Link To This Post Posted: 17 February 2018 at 3:56pm
Of all his solo songs in the 70's, this really is his
signature song from that time period.
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Tom Daly View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Tom Daly Quote  Post ReplyReply Direct Link To This Post Posted: 06 March 2018 at 5:53pm
Originally posted by eriejwg eriejwg wrote:

Of all his solo songs in the 70's, this really is his
signature song from that time period.


Too bad he stole the melody from Sergei Rachmaninoff's "Piano Concerto No 2 in C Minor for Piano and Orchestra" (Opus 18) without giving credit where it was due!

Edited by Tom Daly
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EdisonLite View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote EdisonLite Quote  Post ReplyReply Direct Link To This Post Posted: 29 March 2018 at 12:24pm
According to Eric, he was incorrectly told by his manager that the Rachmaninoff piece was in the Public Domain, which would mean he would be able to use it. After its release, he quickly found out from Rachmaninoff's estate that the piece is NOT in the public domain, so they agreed on a certain percentage the estate would receive, and Rachmininoff was then credited as co-writer for future pressings, IIRC.
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