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   <title><![CDATA[Time-Life’s Superhits and AM Gold 1971 : What single CD has all the proper...]]></title>
   <link>https://top40musiconcd.com/forum/forum_posts.asp?TID=9035&amp;PID=51029&amp;title=timelifes-superhits-and-am-gold-1971#51029</link>
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    <![CDATA[<strong>Author:</strong> <a href="https://top40musiconcd.com/forum/member_profile.asp?PF=89">crapfromthepast</a><br /><strong>Subject:</strong> 9035<br /><strong>Posted:</strong> 21&nbsp;January&nbsp;2019 at 9:52pm<br /><br />What <em>single</em> CD has all the proper left/right channels for all 22 songs listed above?<br /><br />None.<br /><br />You'll have to hunt down multiple discs to get the proper left/right channels for the 22 songs.<br /><br />Or, if you have <em>Superhits</em> or <em>AM Gold</em>, you could manually swap the left/right channels in an audio editor.  The sound quality is generally quite good on <em>Superhits</em>/<em>AM Gold</em>, but the fade is often about a second or two shorter than the source discs for the mastering (listed above), and, of course, the left and right channels are reversed.<span style="font-size:10px"><br /><br />Edited by crapfromthepast</span>]]>
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   <pubDate>Mon, 21 Jan 2019 21:52:03 +0000</pubDate>
   <guid isPermaLink="true">https://top40musiconcd.com/forum/forum_posts.asp?TID=9035&amp;PID=51029&amp;title=timelifes-superhits-and-am-gold-1971#51029</guid>
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   <title><![CDATA[Time-Life’s Superhits and AM Gold 1971 : I am confused. I seem to  think...]]></title>
   <link>https://top40musiconcd.com/forum/forum_posts.asp?TID=9035&amp;PID=51026&amp;title=timelifes-superhits-and-am-gold-1971#51026</link>
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    <![CDATA[<strong>Author:</strong> <a href="https://top40musiconcd.com/forum/member_profile.asp?PF=219">C J Brown</a><br /><strong>Subject:</strong> 9035<br /><strong>Posted:</strong> 21&nbsp;January&nbsp;2019 at 7:02pm<br /><br />I am confused. I seem to  think that all three of the Super hits and AM Gold 1971 titles mentioned at the start have incorrect versions. And I seem to think that many downstream discs continue the bad mixes. But what one T/L CD has all the correct mixes as listed?  ]]>
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   <pubDate>Mon, 21 Jan 2019 19:02:57 +0000</pubDate>
   <guid isPermaLink="true">https://top40musiconcd.com/forum/forum_posts.asp?TID=9035&amp;PID=51026&amp;title=timelifes-superhits-and-am-gold-1971#51026</guid>
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   <title><![CDATA[Time-Life’s Superhits and AM Gold 1971 : Thanks!  For the most part, I...]]></title>
   <link>https://top40musiconcd.com/forum/forum_posts.asp?TID=9035&amp;PID=51018&amp;title=timelifes-superhits-and-am-gold-1971#51018</link>
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    <![CDATA[<strong>Author:</strong> <a href="https://top40musiconcd.com/forum/member_profile.asp?PF=89">crapfromthepast</a><br /><strong>Subject:</strong> 9035<br /><strong>Posted:</strong> 21&nbsp;January&nbsp;2019 at 2:44pm<br /><br />Thanks!<br /><br />For the most part, I publish just about all of my findings here on the forum.  We want this forum to be active and well-supported, so if anything, I'd advise becoming a paying member here.]]>
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   <pubDate>Mon, 21 Jan 2019 14:44:02 +0000</pubDate>
   <guid isPermaLink="true">https://top40musiconcd.com/forum/forum_posts.asp?TID=9035&amp;PID=51018&amp;title=timelifes-superhits-and-am-gold-1971#51018</guid>
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   <title><![CDATA[Time-Life’s Superhits and AM Gold 1971 : Great research Ron! (as always...]]></title>
   <link>https://top40musiconcd.com/forum/forum_posts.asp?TID=9035&amp;PID=51016&amp;title=timelifes-superhits-and-am-gold-1971#51016</link>
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    <![CDATA[<strong>Author:</strong> <a href="https://top40musiconcd.com/forum/member_profile.asp?PF=682">whyaduck</a><br /><strong>Subject:</strong> 9035<br /><strong>Posted:</strong> 21&nbsp;January&nbsp;2019 at 2:14pm<br /><br />Great research Ron! (as always :) )<br /><br />If you ever decide to compile a book &#091;print or digital&#093; you have a purchase from me.<span style="font-size:10px"><br /><br />Edited by whyaduck</span>]]>
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   <pubDate>Mon, 21 Jan 2019 14:14:35 +0000</pubDate>
   <guid isPermaLink="true">https://top40musiconcd.com/forum/forum_posts.asp?TID=9035&amp;PID=51016&amp;title=timelifes-superhits-and-am-gold-1971#51016</guid>
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   <title><![CDATA[Time-Life’s Superhits and AM Gold 1971 : The Time-Life compilation Superhits...]]></title>
   <link>https://top40musiconcd.com/forum/forum_posts.asp?TID=9035&amp;PID=50981&amp;title=timelifes-superhits-and-am-gold-1971#50981</link>
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    <![CDATA[<strong>Author:</strong> <a href="https://top40musiconcd.com/forum/member_profile.asp?PF=89">crapfromthepast</a><br /><strong>Subject:</strong> 9035<br /><strong>Posted:</strong> 16&nbsp;January&nbsp;2019 at 9:26pm<br /><br />The Time-Life compilation <em>Superhits Vol. 10 1971</em> (1991) was later repackaged as <em>AM Gold Vol. 6 1971</em> (1991).  The disc contents are identical in every way, but the packaging and liner notes are different.  There was later a reissue of <em>AM Gold Vol. 6 1971</em> with a "RE-1" in the matrix number.  The reissue swapped out two songs, and used identical digital clones for the remaining tracks.<br /><br />Unfortunately, due to a mastering error, the left and right channels are swapped on all 22 tracks on <em>Superhits Vol. 10 1971</em> and the original (non-RE-1) release of <em>AM Gold Vol. 6 1971</em>.  The left/right channel swaps have propagated into downstream masterings, annoying purists like me.  The <strong>source</strong> of all these left/right problems is <em>Superhits Vol. 10 1971</em> and <em>AM Gold Vol. 6 1971</em>.  Avoid <em>Superhits Vol. 10 1971</em> (1991) and <em>AM Gold Vol. 6 1971</em> (1991), if you can.<br /><br />I've listed all the downstream discs that I have; there may be more.  <br /><br /><strong>1. SHE'S A LADY - Tom Jones</strong><ul><li>I don't know the source of the mastering for <em>Superhits/AM Gold</em>, but the left and right channels are swapped compared to <em>The Complete Tom Jones</em> (1992), Rhino's <em>Billboard Top Soft Rock Hits 1971</em> (1997), and Rhino's <em>Behind Closed Doors '70s Swingers</em> (1997).  <em>Superhits/AM Gold</em> also fades a few second sooner than those other discs.</li><li>Time-Life's 2-CD <em>Seventies Music Explosion Vol. 2 Escape</em> (2005) is digitally exactly 0.4 dB louder than <em>Superhits/AM Gold</em> and therefore has its left and right channels swapped</li></ul><strong>2. KNOCK THREE TIMES - Tony Orlando And Dawn</strong><ul><li>Uses the same analog transfer as Rhino's <em>Billboard Top R&R Hits 1971</em> (1989), which has correct left and right channels</li><li>Time-Life's 2-CD <em>Singers And Songwriters Vol. 16 1969-1972</em> (2001) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li><li>Time-Life's 2-CD <em>Seventies Music Explosion Vol. 3 Miracles</em> (2005) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li></ul><strong>3. DRAGGIN' THE LINE - Tommy James</strong><ul><li>Uses the same analog transfer as Rhino's <em>Billboard Top R&R Hits 1971</em> (1989), which has correct left and right channels</li></ul><strong>4. SUNSHINE - Jonathan Edwards</strong><ul><li>Uses the same analog transfer as Rhino's <em>Have A Nice Day Vol. 7</em> (1990), which has correct left and right channels</li><li>Warner Special Products' 2-CD <em>Seventies Party Mix</em> (1996) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li><li>Time-Life's 2-CD <em>Singers And Songwriters Vol. 2 1970-1971</em> (2000) is a differently-EQ'd digital clone of <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li><li>Time-Life's 2-CD <em>Seventies Music Explosion Vol. 1 Sunshine</em> (2005) is a differently-EQ'd digital clone of <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li><li>Reader's Digest's 4-CD <em>Time In A Bottle</em> (2006) is a differently-EQ'd digital clone of <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li></ul><strong>5. THAT'S THE WAY I'VE ALWAYS HEARD IT SHOULD BE - Carly Simon</strong><ul><li>Uses the same analog transfer as Time-Life's 4-CD <em>Great Love Songs Of The 70's And 80's Vol. 3 Missing You</em> (1991), which has correct left and right channels</li><li>JCI's <em>Only Love 1970-1974</em> (1995) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li><li>Warner Special Products' 2-CD <em>Seventies Feelings</em> (1995) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li><li>Time-Life's 2-CD <em>Singers And Songwriters Vol. 2 1970-1971</em> (2000) is digitally identical to <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li></ul><strong>6. SWEET CITY WOMAN - Stampeders (only on <em>Superhits</em> and original pressings of <em>AM Gold</em>)</strong><ul><li>Uses the same analog transfer as Rhino's <em>Have A Nice Day Vol. 6</em> (1990), which has correct left and right channels</li></ul><strong>6. BRAND NEW KEY - Melanie (only on RE-1 rerelease of <em>AM Gold</em>)</strong><ul><li>Has the <strong>correct</strong> left/right channels; no left/right reversal on this track on the RE-1 rerelease; the 20 tracks on the RE-1 rerelease held over from <em>Superhits</em> <strong>do</strong> have their left and right channels swapped</li><li>Uses the same analog transfer as Rhino's <em>Have A Nice Day Vol. 7</em> (1990)</li></ul><strong>7. SIGNS - Five Man Electrical Band</strong><ul><li>Uses the same analog transfer as Rhino's <em>Have A Nice Day Vol. 6</em> (1990), which has correct left and right channels (even though the song is in mono - there are still artifacts so you can tell the channels apart)</li></ul><strong>8. DON'T PULL YOUR LOVE - Hamilton, Joe Frank and Reynolds</strong><ul><li>Uses the same analog transfer as Rhino's <em>Have A Nice Day Vol. 5</em> (1990), which has correct left and right channels</li><li>JCI's <em>Only Dance 1970-1974</em> (1996) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li><li>Madacy's <em>Rock On 1971</em> (1996) is digitally exactly 0.9 dB louder than <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li><li>Time-Life's 2-CD <em>Singers And Songwriters Vol. 9 Early '70s</em> (2000) is digitally identical to <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li><li>Time-Life's <em>Ultimate Love Songs Collection Almost Paradise</em> (2004) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li><li>Time-Life's 2-CD <em>Seventies Music Explosion Vol. 2 Escape</em> (2005) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li><li>Time-Life's 2-CD <em>Classic Soft Rock Vol. 10 Heat Of The Moment</em> (2007) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li></ul><strong>9. NEVER CAN SAY GOODBYE - Jackson 5</strong><ul><li>Uses the same analog transfer as Rhino's <em>Billboard Top R&B Hits 1971</em> (1990), which has correct left and right channels</li></ul><strong>10. JUST MY IMAGINATION (RUNNING AWAY WITH ME) - Temptations</strong><ul><li>Uses the same analog transfer as Rhino's <em>Billboard Top R&B Hits 1971</em> (1990), which has correct left and right channels, but fades a tiny bit sooner</li><li>Time-Life's 2-CD <em>Singers And Songwriters Vol. 16 1969-1972</em> (2001) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li></ul><strong>11. HOW CAN YOU MEND A BROKEN HEART - Bee Gees (only on <em>Superhits</em> and original pressings of <em>AM Gold</em>)</strong><ul><li>Uses the same analog transfer as Time-Life's <em>Sounds Of The Seventies Vol. 2 1971</em> (1989), which has correct left and right channels</li></ul><strong>11. MR. BOJANGLES - Nitty Gritty Dirt Band (only on RE-1 rerelease of <em>AM Gold</em>)</strong><ul><li>Has the <strong>correct</strong> left/right channels; no left/right reversal on this track on the RE-1 rerelease; the 20 tracks on the RE-1 rerelease held over from <em>Superhits</em> <strong>do</strong> have their left and right channels swapped</li><li>Uses the same analog transfer as Rhino's <em>Have A Nice Day Vol. 4</em> (1990)</li></ul><strong>12. WANT ADS - Honey Cone</strong><ul><li>I think the mastering on <em>Superhits/AM Gold</em> uses the same analog transfer as Essex's <em>The Buddah Box</em>, but I can't confirm</li><li>Warner Special Products' 2-CD <em>40 Summer Fun Hits</em> (1993) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li><li>Time-Life's 2-CD <em>Seventies Music Explosion Vol. 1 Sunshine</em> (2005) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li></ul><strong>13. AN OLD FASHIONED LOVE SONG - Three Dog Night</strong><ul><li>Uses the same analog transfer as MCA's Three Dog Night <em>Best Of</em> (copyright 1982), which has correct left and right channels</li></ul><strong>14. ONE TOKE OVER THE LINE - Brewer And Shipley</strong><ul><li>Uses the same analog transfer as Rhino's <em>Have A Nice Day Vol. 4</em> (1990), which has correct left and right channels</li><li>Madacy's <em>Rock On 1971</em> (1996) is digitally exactly 0.1 dB quieter than <em>Superhits/AM Gold</em> and therefore has its left and right channels swapped</li><li>Time-Life's 2-CD <em>Singers And Songwriters Vol. 11 1970-1974</em> (2001) is digitally exactly 1 dB quieter than <em>Superhits/AM Gold</em> and therefore has its left and right channels swapped</li><li>Time-Life's 2-CD <em>Seventies Music Explosion One-Hit Wonders</em> (2005) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li></ul><strong>15. THE NIGHT THEY DROVE OLD DIXIE DOWN - Joan Baez</strong><ul><li>Uses the same analog transfer as Time-Life's <em>Sounds Of The Seventies Vol. 12 1971 Take Two</em> (1990), which has correct left and right channels</li><li>Reader's Digest's 4-CD <em>American Pie</em> (1998) is digitally exactly 1 dB quieter than <em>Superhits/AM Gold</em> and therefore has its left and right channels swapped</li><li>Time-Life's 2-CD <em>Singers And Songwriters Vol. 2 1970-1971</em> (2000) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li></ul><strong>16. PUT YOUR HAND IN THE HAND - Ocean</strong><ul><li>Uses the same analog transfer as Rhino's <em>Have A Nice Day Vol. 4</em> (1990), which has correct left and right channels</li><li>Time-Life's 2-CD <em>Singers And Songwriters Vol. 16 1969-1972</em> (2001) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li><li>Time-Life's 2-CD <em>Seventies Music Explosion One-Hit Wonders</em> (2005) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li></ul><strong>17. INDIAN RESERVATION (THE LAMENT OF THE CHEROKEE RESERVATION INDIAN) - Raiders</strong><ul><li>Uses the same analog transfer as Rhino's <em>Have A Nice Day Vol. 5</em> (1990), which has correct left and right channels</li></ul><strong>18. TEMPTATION EYES - Grass Roots</strong><ul><li>Uses the same analog transfer as Rhino's Grass Roots <em>Anthology 1965-1975</em> (1991), which has correct left and right channels</li><li>Priority's <em>I Love Rock And Roll Vol. 3 Hits Of The 70's</em> (1996) is digitally exactly 1.67 dB quieter than <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li></ul><strong>19. SPANISH HARLEM - Areha Franklin</strong><ul><li>Uses the same analog transfer as Rhino's <em>Billboard Top R&B Hits 1971</em> (1990), which has correct left and right channels</li></ul><strong>20. BABY I'M A WANT YOU - Bread</strong><ul><li>Uses the same analog transfer as Elektra's <em>Anthology Of Bread</em> (1985), which has correct left and right channels</li><li>Time-Life's 2-CD <em>Singers And Songwriters Vol. 9 Early '70s</em> (2000) is digitally identical to <em>Superhits/AM Gold</em> and therefore has its left and right channels swapped</li><li>Time-Life's 2-CD <em>Classic Soft Rock Vol. 2 Ride Like The Wind</em> (2006) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li></ul><strong>21. IF I WERE YOUR WOMAN - Gladys Knight And The Pips</strong><ul><li>Uses the same analog transfer as Motown's Gladys Knight And The Pips <em>Compact Command Performances 17 Greatest Hits</em> (1984), which has correct left and right channels</li><li>Time-Life's 2-CD <em>Body And Soul Vol. 3 Sweet Seduction</em> (1998) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped</li></ul><strong>22. HAVE YOU SEEN HER - Chi-Lites</strong><ul><li>Uses the same analog transfer as Rhino's <em>Billboard Top R&B Hits 1971</em> (1990), which has correct left and right channels</li><li>JCI's <em>Only Soul 1970-1974</em> (1996) has mastering based on <em>Superhits/AM Gold</em>, and therefore has its left and right channels swapped, and additionally fades a tiny bit sooner</li>]]>
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   <pubDate>Wed, 16 Jan 2019 21:26:11 +0000</pubDate>
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